Any Classic You Like
The V-AMP PRO's 32 amp models are organized into four groups: CLEAN, BLUES, METAL and ROCK. Just twist the dedicated dial to plug into unbelievably authentic simulations of the greatest British and American tube amps from the 1950s to today. You even get models of uncommon—yet renowned—boutique tube amps! When you select an amp model, a speaker cabinet model is automatically selected. But if you'd prefer a different model, just go to EDIT>CABINETS, then use the BANK UP/DOWN buttons to navigate through all 15 options.
Just like on an actual guitar amp, you've got a three-band EQ, GAIN, REVERB, VOLUME and MASTER VOLUME dials. By holding the TAP button, the TREBLE dial becomes a PRESENCE control. This enables the adjustment of a high-frequency filter that can add or remove a "shimmer" from the V-AMP PRO's tone.
Top Tone—In Full Effect
Presenting the Presets
Stunning in the Studio
The V-AMP PRO features several configurations that make it an invaluable asset in the studio. Access the configuration menu by pressing the B and D buttons at the same time. Then use BANK UP and BANK DOWN to select a configuration.
When using headphones, the V-AMP PRO will switch into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects, amp and speaker modeling. It doesn't apply the additional three-band EQ to the signal, but most recording programs—like energyXT2.5— have their own EQ. In Studio Mode 2 (S2), the V-AMP PRO sends a signal with amp and speaker simulation, but only the right output has effects. You can either record both left and right outputs to separate tracks, or record the "dry" left output while monitoring the right output.
The V-AMP PRO features myriad routing options. It has a balanced XLR DI out with ground lift and switchable ULTRA-G cabinet simulation, post-DSP stereo inserts for connection o external effects, BNC wordclock input for externals sample rate synchronization up to 96 kHz. There are also AES/EBU and S/PDIF connectors so you can use the V-AMP PRO as an all-purpose audio-to-digital converter with 24-bit/96 kHz digital output.
Stellar on Stage
The V-AMP PRO has three live configurations. When performing live with this device, you can either run it to an amp on stage, run directly to the mixing board, or both. Live Mode 1 is the best choice for running the outputs directly to the mixer, because it applies amp and speaker simulation, effects and an additional 3-band EQ.
Use Live Mode 2 to run the V-AMP PRO into the effects return inputs of 2 different guitar amps. This configuration does not feature speaker simulation, allowing the amplifier's natural speaker sound to go unaltered. In this scenario, the amps would be mic'd on stage to get the sound to the house speakers, and having a dedicated monitor would be less important. In Live Mode 3, you can send the left output to an amp's eff ects return for onstage volume, while the right output sends signal to the main mixer for inclusion in the main house mix. Also note that you can press the TAP key while turning the GAIN knob to adjust the input sensitivity to match the output of your guitar's pickups. If the CLIP LED lights, the input's sensitivity should be reduced.
Veni, MIDI, Vici
The V-AMP PRO comes fully equipped to fit right into a MIDI (Musical Instrument Digital Interface) setup. It can be controlled in real time from a computer, or via a MIDI foot controller during a live performance. Its MIDI connectors are international-standard 5-pin DIN connectors. You will need dedicated MIDI cables (not included).
The MIDI IN jack receives MIDI controller data. It can be adjusted in EDIT mode by pressing the A button and then using the arrow keys. MIDI OUT/THRU sends data to a computer. You can transmit both preset data and parameter changes. Some people even use the V-AMP as a remote control for parameters of their DAW or VST instruments, which is more handy than using the mouse alone. If set to MIDI THRU, the V-AMP 2 does not send its own MIDI information, but passes on the signal received at the MIDI IN connector.