A MODERN CLASSIC The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direc...

THE GOLD STANDARD The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plu...

THE PERFECT GATEWAY TO YOUR LISTENERS The BCM 104 is a dedicated broadcast microphone for radio announcers and DJs, designed to convey emotion with Neumann perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser ...

THE RIGHT TOOL FOR THE JOB The BCM 705 is a cost effective broadcast microphone for in-studio speech applications. Its entire construction is functionally optimized to convey emotion with technical perfection. Its dynamic capsule is voiced for a smooth yet clear sound. The hypercardi...

THE TOP-OF-THE-LINE DIGITAL MICROPHONE The D-01 is Neumann’s top-of-the-line AES 42 digital microphone featuring a newly developed large diaphragm capsule with a linear response in all directional patterns. Its entire dynamic range of 130 dB is transferred to the digital domain...

THE GOLD STANDARD IN THE MIDFIELD RANGE The KH 420 is designed for a working distance of 1.5 to 3 m (5’ to 9’). It handles this space effortlessly thanks to great power reserves and precisely concentrated dispersion. Even in diverse acoustical environments the KH 420 rema...

NEUMANN SOUND ON STAGE. WIRELESS. The KK 204 is a premium quality capsule head for Sennheiser SKM 2000/6000/9000 handheld transmitters as well as EW G4 300/500 wireless systems. Its precision manufactured condenser capsule offers true Neumann sound, combined with the freedom of wirel...

EXPANDED MIDRANGE PRECISION – DRY BASS SOUND With its specially designed midrange driver, the compact KH 310 is particularly suited for precise work with speech, vocals, guitars and other instruments that have a midrange emphasis. Its closed design enables a very fast transient...

EXPANDED MIDRANGE PRECISION – DRY BASS SOUND With its specially designed midrange driver, the compact KH 310 is particularly suited for precise work with speech, vocals, guitars and other instruments that have a midrange emphasis. Its closed design enables a very fast transient...

UNCOLORED, TRANSPARENT, VERSATILE The KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide st...

PRECISION REDEFINED The KH 120 is Neumann's trailblazer model and development yardstick for compact studio monitors. It has been a reference class for close-range monitoring since 2011. Enormous power reserves meet high-precision sound conduction. The result: Maximum signal fidelity ...

UNCOLORED, TRANSPARENT, VERSATILE The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide ...

The KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 A represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It h...

UNCOLORED, TRANSPARENT, VERSATILE The KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide st...

MORE POWER. SAME PRECISION. The KH 870 is an answer to the demands by offering a 7.1 High Definition Bass Manager™. The flexibility of this bypassable 7.1 bass manager means it is also compatible with all standard consumer formats from mono through to the latest 7.1 HD sy...

ANSWERING RISING DEMANDS FOR 7.1 AND 3D PRODUCTIONS The KH 810 is an answer to the demands by offering a 7.1 High Definition Bass Manager™. The flexibility of this bypassable 7.1 bass manager means it is also compatible with all standard consumer formats from mono through to ...

THE OPTIMAL COMPLEMENT FOR STEREO APPLICATIONS The KH 805 has a unique bypassable 2.1/0.1 Bass manager which enables it to be used in many different applications. There are four LFE routing modes to ensure maximum flexibility. Fourth order crossovers and adaptable acoustical controls...

MAXIMUM FLEXIBILITY IN THE ANALOG AND DIGITAL DOMAINS The combination of the capsule KK 133 with the output stage KM D is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

OUTPUT STAGE KM A / KM A NX The KM A analog output stage with P48 phantom power has a switch for pre-attenuation of 10 dB. The microphones can thus handle levels of up to 152 dB (depending on the capsule type).

The TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price.