THE PERFECT GATEWAY TO YOUR LISTENERS The BCM 104 is a dedicated broadcast microphone for radio announcers and DJs, designed to convey emotion with Neumann perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser ...

THE RIGHT TOOL FOR THE JOB The BCM 705 is a cost effective broadcast microphone for in-studio speech applications. Its entire construction is functionally optimized to convey emotion with technical perfection. Its dynamic capsule is voiced for a smooth yet clear sound. The hypercardi...

THE TOP-OF-THE-LINE DIGITAL MICROPHONE The D-01 is Neumann’s top-of-the-line AES 42 digital microphone featuring a newly developed large diaphragm capsule with a linear response in all directional patterns. Its entire dynamic range of 130 dB is transferred to the digital domain...

THE GOLD STANDARD IN THE MIDFIELD RANGE The KH 420 is designed for a working distance of 1.5 to 3 m (5’ to 9’). It handles this space effortlessly thanks to great power reserves and precisely concentrated dispersion. Even in diverse acoustical environments the KH 420 rema...

EXPANDED MIDRANGE PRECISION – DRY BASS SOUND With its specially designed midrange driver, the compact KH 310 is particularly suited for precise work with speech, vocals, guitars and other instruments that have a midrange emphasis. Its closed design enables a very fast transient...

EXPANDED MIDRANGE PRECISION – DRY BASS SOUND With its specially designed midrange driver, the compact KH 310 is particularly suited for precise work with speech, vocals, guitars and other instruments that have a midrange emphasis. Its closed design enables a very fast transient...

UNCOLORED, TRANSPARENT, VERSATILE The KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide st...

PRECISION REDEFINED The KH 120 is Neumann's trailblazer model and development yardstick for compact studio monitors. It has been a reference class for close-range monitoring since 2011. Enormous power reserves meet high-precision sound conduction. The result: Maximum signal fidelity ...

UNCOLORED, TRANSPARENT, VERSATILE The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide ...

The KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 A represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It h...

UNCOLORED, TRANSPARENT, VERSATILE The KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide st...

MORE POWER. SAME PRECISION. The KH 870 is an answer to the demands by offering a 7.1 High Definition Bass Manager™. The flexibility of this bypassable 7.1 bass manager means it is also compatible with all standard consumer formats from mono through to the latest 7.1 HD sy...

ANSWERING RISING DEMANDS FOR 7.1 AND 3D PRODUCTIONS The KH 810 is an answer to the demands by offering a 7.1 High Definition Bass Manager™. The flexibility of this bypassable 7.1 bass manager means it is also compatible with all standard consumer formats from mono through to ...

THE OPTIMAL COMPLEMENT FOR STEREO APPLICATIONS The KH 805 has a unique bypassable 2.1/0.1 Bass manager which enables it to be used in many different applications. There are four LFE routing modes to ensure maximum flexibility. Fourth order crossovers and adaptable acoustical controls...

MAXIMUM FLEXIBILITY IN THE ANALOG AND DIGITAL DOMAINS The combination of the capsule KK 133 with the output stage KM D is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

OUTPUT STAGE KM A / KM A NX The KM A analog output stage with P48 phantom power has a switch for pre-attenuation of 10 dB. The microphones can thus handle levels of up to 152 dB (depending on the capsule type).

OUTPUT STAGE KM D / KM D NX The KM D digital output stage converts the signal from the capsule directly into a digital signal. The result is an AES/EBU signal with 24 bits and a large dynamic range. The integrated digital signal processor (DSP) permits remote control of the microphon...

PRISTINE DIALOGUE, UNCOLORED SOUND The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. Off-axis coloration is minimized to avoid sound change when actors are moving. The K...

PRISTINE DIALOGUE, UNCOLORED SOUND IN THE DIGITAL DOMAIN The KMR 81 D takes the well-established KMR 81 i shotgun microphone into the digital domain. It provides all of the features of its analog counterpart, which made it a favorite of sound engineers in movie and documentary produc...

LONG DISTANCE SPECIALIST The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems. The ...