Featuring an easily adjustable gooseneck, secure mounting bracket and a specially engineered dual-screen design, the TASCAM TM-AG1 Pop Filter will help you tame event the most explosive plosives. A pop filter to effectively reduce vocal plosives using a dual layer nylon screen and side air duc...

UR44 — Built to last6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit/192 kHz support & MIDI I/O

UR82424 x 24 USB 2.0 audio interface with 8x D-PREs, 24-bit/192 kHz support & JetPLL

Second in line in our studio monitors is the SC205. Like the name implies, it's a SilverCone two-way system with a 5" woofer. But don't let your eyes deceive you. The SC205 might seem like a small speaker, but it definitely packs a punch. With an extended bass frequency response and an astound...

UR-RT4The UR-RT4 is a premium six input, four output USB 2.0 audio and MIDI interface with switchable Rupert Neve Designs transformers on the front inputs. Combined with the onboard, high-quality D-PRE preamps, the Rupert Neve Designs transformers deliver a musical, more expressi...

UR-RT2The UR-RT2 is a premium four input, two output USB 2.0 audio and MIDI interface with switchable Rupert Neve Designs transformers on the front inputs. Combined with the onboard, high-quality D-PRE preamps, the Rupert Neve Designs transformers deliver a musical, more expressi...

Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, ...

Many producers and synthesizer enthusiasts asked for a full-blown Waldorf Synthesizer for their virtual rack. We listened, and now we proudly present Largo. Largo is the first pure software synthesizer with Waldorf DNA. And again – it is the cutting edge sound that makes the big difference.

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

LONG DISTANCE SPECIALIST The KMR 82 i is a shotgun microphone for longer distances, e.g. in ENG and stage applications. With an acceptance angle of 45° and minimal off-axis coloration the KMR 82 i can be used to record individual instruments in an orchestra without problems. The ...

PRISTINE DIALOGUE, UNCOLORED SOUND IN THE DIGITAL DOMAIN The KMR 81 D takes the well-established KMR 81 i shotgun microphone into the digital domain. It provides all of the features of its analog counterpart, which made it a favorite of sound engineers in movie and documentary produc...

PRISTINE DIALOGUE, UNCOLORED SOUND The KMR 81 i is a shotgun microphone for medium distances, e.g. for film dialogue with a clear and focused sound while the microphone is placed outside the picture. Off-axis coloration is minimized to avoid sound change when actors are moving. The K...

OUTPUT STAGE KM D / KM D NX The KM D digital output stage converts the signal from the capsule directly into a digital signal. The result is an AES/EBU signal with 24 bits and a large dynamic range. The integrated digital signal processor (DSP) permits remote control of the microphon...

OUTPUT STAGE KM A / KM A NX The KM A analog output stage with P48 phantom power has a switch for pre-attenuation of 10 dB. The microphones can thus handle levels of up to 152 dB (depending on the capsule type).

Performance SamplerTri godina garancije.

Master of the digital methodThe sound of steel monoliths and flickering neons signs. Icy, metallic perfection. Magnificent desolation. Through the unique and accessible take on FM synthesis, Digitone is a prime source of new sounds and timbres. Down the rabbit hole we go.Tri godin...

MAXIMUM FLEXIBILITY IN THE ANALOG AND DIGITAL DOMAINS The combination of the capsule KK 133 with the output stage KM D is only one of the numerous options within the Neumann KM A/D small diaphragm microphone system.

THE OPTIMAL COMPLEMENT FOR STEREO APPLICATIONS The KH 805 has a unique bypassable 2.1/0.1 Bass manager which enables it to be used in many different applications. There are four LFE routing modes to ensure maximum flexibility. Fourth order crossovers and adaptable acoustical controls...

ANSWERING RISING DEMANDS FOR 7.1 AND 3D PRODUCTIONS The KH 810 is an answer to the demands by offering a 7.1 High Definition Bass Manager™. The flexibility of this bypassable 7.1 bass manager means it is also compatible with all standard consumer formats from mono through to ...

MORE POWER. SAME PRECISION. The KH 870 is an answer to the demands by offering a 7.1 High Definition Bass Manager™. The flexibility of this bypassable 7.1 bass manager means it is also compatible with all standard consumer formats from mono through to the latest 7.1 HD sy...